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Exhibition Pérez Pizarro in the Fish Market (centenary of his birth)




On 25 March, the fish market of Alicante will host a major new exhibition driven Alicante City Council, brought by the Consortium of Museum and curated by Eduardo Lastres to discover the work of another great painter of Alicante, Francisco Pérez Pizarro (1911-1964), an artist who died prematurely, was founder of Parpalló and pioneer of abstraction. According Lastres is "the first abstract Alicante who developed a parallel work Saura Miles and nothing is known of him."

The Fish Market of Alicante will host in March and May 1st exhibition of the artist Francisco Pérez Pizarro (Barcelona, \u200b\u200b1911, Alicante, 1964), a pioneer of abstraction in Alicante and Valencia under the title The abstract will Pérez Pizarro, which will be curated by Eduardo Lastres.
Born in Barcelona, \u200b\u200bbut moved to Alicante when she was 3 years, Pérez Pizarro began painting in 1944 and was a founding member of the Group Parpalló Valencia and Mediterranean Art Movement, and retained close links with painters and writers of Alicante and Valencia, as Rafael Azuar, Manolo Molina or Gastón Castelló.
As has happened with other authors of the province of the twentieth century, Pérez Pizarro has been little studied and this sample is claimed figure of this artist, who broke with the academic prevailing in the postwar years and entered the modern painting.
Develop a pictorial technique of his invention in the treatment of watercolor especially, but also the oil, in which poses different characteristics of the ordinary. Self-taught arises translate their inner world, sensitive, close, small objects, the lamp, the round table: essential elements of an aesthetic that does not claim much from the baroque, but its formal elements are defined by straight lines. A summary objetual characterized this first stage, in a subsequent discovery of the landscape outside the urban areas, resulting in large-format works which could highlight the 'Cemetery of San Juan', an original work of beauty, embodied in construction of shapes and colors always framed symmetries near the ochres, sienna. In 52, 53, paint two works devoted to the landscape, 'The mystical landscape, "a raw landscape, nude, where the use of color and the pictorial treatment based spatula, produces a smoothing of the surface creating a mosaic of infinite shades of great interest plastic.

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